
This film applies the six principles for composition delineated in ‘Opinions on Painting by the Monk of the Green Pumpkin’, written by the eighteenth-century Chinese painter Shih-T’ao as referenced in Raúl Ruíz’s essay For a Shamanic Cinema (for example, ‘draw attention to a scene emerging from a static background’ or ‘add scattered dynamism to immobility’). The film is compose...
sensuous
“Opinions on Painting by the Monk of the Green Pumpkin,” Chinese painter Shih-T’ao, Raúl Ruíz’s essay “For a Shamanic Cinema.” 阿飞正传 (cinema), Lucy Lippard (literature)
72/100 @MUBI
没有研究古代画论...但石涛在《苦瓜和尚画语录》里有专门说到6种构图方法通过询问友人应该是指“写画有蹊径六则:对景不对山,对山不对景,倒景,借景,截断,险峻。此六则者,须辨明之”。那简介所说的某种意义上就是用影像来进行理论的实践,在改变了题材对象之下,应该被看做什么样的创作、实践,仅仅是一种现代机械语言的翻译?words如果是指代理论,那么planets是什么意思,而频频出现的水果、植物又是什么意思,要么就有什么相应的lecture来阐述,只看影像太单薄了,而且就在胶片上进行什么破坏等的举动得到不同的画面也在很早之前就被实验过了。
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