
"The brooding, existentialist portraits of his classmates in We Are 17 clashed so much with Holland's postwar optimism that a counter-album, We Are Also 17, soon appeared. His early experimental films, like Paris a l'aube (Paris at dawn) (1957-60), a ten-minute sequence of long, static views of the city shot every morning at 4 A.M., were dismissed as "photographic," while those...
爵士虽好,但配这样静谧的画面,还是有点不搭吧。
不喜欢巴黎
城市几何形与圆形太阳的交响
Aube是黎明,拂晓的意思吧……
故事线简洁明了又不失深度,以质朴叙事展现复杂人性与社会议题,没有故弄玄虚的弯弯绕绕,于平凡中见不凡,极易引发共情。
87分钟
51分
高清
USA: 96 分钟
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